No doubt the courage to confess to the parents how matters stand would bring down upon himself much unpleasantness. He enters his cell with a basket full of herbs from the garden. By compressing all the events of the love story into just a few days, Shakespeare adds weight to every moment, and gives the sense that the action is happening so quickly that characters barely have time to react, and, by the end, that matters are careening out of control.
It would be to misunderstand the whole spirit of the play if we were to reproach Friar Laurence with the not only romantic but preposterous nature of the means he adopts to help the lovers — the sleeping-potion administered to Juliet. The attraction between Romeo and Juliet is immediate and overwhelming, and neither of the young lovers comments on or pretends to understand its cause.
Surely he does not seek to "moralize this spectacle" through the agency of one who despite his long years, his acquisition of knowledge, his experience of life, his trusted philosophy, errs so grievously, errs in broad daylight, and without the excuse of passion to disturb his calm and tranquil mind.
Still, his duty is or should be clear before him. His piety, benevolence, and sympathy are undoubted, but whereas in his solitary musings and his priestly intercourse with human nature he thinks to have garnered up the teachings of philosophy, he has in reality missed true wisdom of life.
Guided by her feelings for him, she develops very quickly into a determined, capable, mature, and loyal woman who tempers her extreme feelings of love with sober-mindedness. He is loyal to his friends, but his behavior is somewhat unpredictable.
Does the play seem to take place over as little time as it actually occupies? At the beginning of the play, he mopes over his hopeless unrequited love for Rosaline. He in fact does evil that good may come — and with the usual result of such temporizing. When first we meet the Friar, he is out in the early morning culling simples for use in medicine, a science he has deeply and successfully studied.
And how natural it seems that from that very agitation he should draw lessons of tranquillity! It is very characteristic of the freedom of spirit which Shakespeare early acquired, in the sphere in which freedom was then hardest of attainment, that this monk is drawn with so delicate a touch, without the smallest ill-will towards conquered Catholicism, yet without the smallest leaning towards Catholic doctrine — the emancipated creation of an emancipated poet.
Some of them have curative properties, others contain death-dealing juices; a plant which has a sweet and salutary smell may be poisonous to the taste; for good and evil are but two sides to the same thing II. From The Works of William Shakespeare.
He fears this overflowing flood-tide of happiness, and expounds his philosophy of the golden mean — that wisdom of old age which is summed up in the cautious maxim, "Love me little, love me long. The Poet here rises immeasurably above his original, Arthur Brooke, who, in his naively moralising "Address to the Reader," makes the Catholic religion mainly responsible for the impatient passion of Romeo and Juliet and the disasters which result from it.
Two such opposed kings encamp them still In man as well as herbs, — grace, and rude will; And where the worser is predominant, Full soon the canker death eats up that plant.
In Juliet, Romeo finds a legitimate object for the extraordinary passion that he is capable of feeling, and his unyielding love for her takes control of him.
For this, being smelt, with that part cheers each part; Being tasted, slays all senses with the heart. But when he has himself to act, his stored up wisdom only leads him wrong.
How do they develop throughout the play? A good old man who in his youth has known stormy passions and the stress of life, he has sought in religion and retirement the comfort he could not elsewhere find; his great delight is to alleviate suffering of whatever kind, and above all to promote peace among his fellow-creatures.
Their love for one another is so undeniable that neither they nor the audience feels the need to question or explain it.A mentor to both Romeo and Juliet, Friar Laurence constantly advises them to act with more caution and moderation, even though he doesn't wait too long before agreeing to marry off these two crazy kids.
In the Zeffirelli film version, the Friar tells Romeo, "Wisely and slow. They stumble that. In Romeo and Juliet, a tragedy by William Shakespeare, Friar Lawrence plays a dominate role in the eventual death of Romeo and Juliet even though he is not on stage for most of the play.
There are basically three major parts that lead to the tragedy; the marriage, the plan, and the inevitable deaths. Why should you care about what Friar Laurence says in William Shakespeare's Romeo and Juliet?
Don't worry, we're here to tell you. Friar Lawrence is a very important character in ‘Romeo and Juliet’ because he is the sole figure of religion in the play, allowing us to infer a lot about the role religion played in daily life and Shakespeare’s views on it.
Why Friar Lawrence is Innocent in the Play Romeo and Juliet by William Shakespeare PAGES 4. WORDS 1, View Full Essay.
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Created by: William Shakespeare: Friar Laurence is a fictional character in William Shakespeare's play Romeo and Juliet. Role in the play. Friar Laurence is a Created by: William Shakespeare.Download