Weil had never formally joined the Communist party, and in her twenties she became increasingly critical of Marxism. Weil did not limit her curiosity to Christianity.
She most likely ate even less, as she refused food on most occasions. Notes and references[ edit ] "War and the Iliad". I forget already if Brock cites Gramsci direct or simply channels his spirit knowingly or otherwise The crisis consists precisely in the fact that the old is dying and the new cannot be born; in this interregnum a great variety of morbid symptoms appear, but that is the central point I feel of what Brock says, for him cultural paradigms are closed systems which at a certain point beyond maturity collapse and die.
The following year, she took a month leave of absence from her teaching position to work incognito as a labourer in two factories, one owned by Renaultbelieving that this experience would allow her to connect with the working class.
There is a sense of them as singular figures from the margins looking for a centre and for the universal and general, my feeling is that these essays are not Simone weil essay on iliad or particularly helpful insights into the Iliad, rather the Iliad is an introduction to the philosophies and intellectual struggles of these writers.
Gorkin refused, saying she would almost certainly be sacrificing herself for nothing, as it would be most unlikely she could pass as a Spaniard. She was attracted to Roman Catholicismbut declined to be baptizedpreferring to remain outside due to "the love of those things that are outside Christianity".
One wonders quite what Simone weil essay on iliad liked about the Iliad. The piece is very lean in that sense. The entire section is 1, words. Below the town is the beautiful church and convent of San Damiano where Saint Clare once lived.
Clearly, the breathless reader can only learn from these pronouncements what the past meant to Weil, as she formed it into a personal spiritual map. If we are not reading it as spiritual seekers whose consciousness is dominated by World War II, what can we expect to find there?
I think I might even say more. While teaching in Le Puy, she became involved in local political activity, supporting the unemployed and striking workers despite criticism.
Unlock This Study Guide Now Start your hour free trial to unlock this page The Iliad study guide and get instant access to the following: By not making the clear connection to the one war, however, she made a clear connection to all War; to the eternal process that is inevitable when one country, one sect, one person, seeks domination over another.
Elaborating on her opening assertion that "The true hero, the true subject matter, the center of the Iliad is force," she makes a series of related points: Force is that which turns people literally into things, that is, corpses: Weil became attracted to the Christian faith beginning inthe first of three pivotal experiences for her being when she was moved by the beauty of villagers singing hymns during an outdoor service that she stumbled across during a holiday to Portugal.
It is not surprising that this dimension of the Iliad was invisible to Weil, who believed that suffering is inherently ennobling and sought it for herself when she did not have to -- and is perhaps more readily apparent to those who lead the quieter, safer lives of scholars.
Inwhen she was only six years old, she refused sugar in solidarity with the troops entrenched along the Western Front. From seeing her practice on makeshift shooting ranges, her comrades saw she was a very poor shot and tried to avoid taking her on missions, though she did sometimes insist.
At the high end of the social scale, magnificent and invincible Achilles suffers humiliation at the hands of his superior, Agamemnon, who in his turn must shortly humble himself. Weil says this degree of equity was never equalled in any other Western work, though to some degree it was transmitted via the Attic tragedies, especially those of Aeschylus and Sophoclesto the Gospels.
Paralyzed by the imminence of force and the death it will bring, he imitates in advance the nothingness that is his fate.
She linked the Iliad to Anna Karenina and Moscow to Troy, reading I remember this made some kind of sense but twenty or so hours after reading it seems an entirely crazy parallel that makes little sense - in this scheme Tolstoy is a new Homer, both in her view transcending mere literature and creating some kind of new cultural paradigm and new cultural values.
Is it a document of primarily historical interest whose worth lies in what it tells us about the thought of Simone Weil and about the uses of antiquity in mid-twentieth century France? Seen this way, the Odyssey is the logical complement to the Iliad. Killing in battle may be recognized as brutal and dangerously heady, but it is also an artform and an exhilarating achievement.
Or is it informative as an account of the Iliad itself? Instead, she limited her food intake to what she believed residents of German-occupied France ate. Her home city of Paris had fallen to the Nazis, and she was living in Marseilles with her parents, waiting for an exit visa which would allow her to come to America.
Besides suppliants, there are other, more unfortunate inhabitants of the empire of force: The Need for Roots. But the Homeric world encompasses both a less austere concept of poetry as transmuting suffering into something satisfying and pleasurable and an unavoidable gap between the experiences of audiences and the events retold in poetry.
In her brief life, Weil not only endured the fall of France but actively renounced the privileges of her comfortable life, seeking out demanding factory labor, joining the Republican forces in Spain, and fatally refusing, while an exile in England, to eat more than the rations of her compatriots in France.
Perhaps you find the notion inspiring, or merely puzzling, I find it burdened with heavy assumptions about Homer - a creature about whom we know nothing.
She was keenly interested in other religious traditions—especially the Greek and Egyptian mysteries ; Hinduism especially the Upanishads and the Bhagavad Gita ; and Mahayana Buddhism.
Force thus can turn even its possessor into a thing — an unthinking automaton driven by rage or lust.InJulia Haslett released the film An encounter with Simone Weil; she noted that Weil had become "a little-known figure, practically forgotten in her native France, and rarely taught in universities or secondary schools".
Simone Weil, a brilliant young teacher, philosopher, and social activist, wrote the essay, The ‘Iliad’ or the Poem of Force at France at the beginning of World War II. Her profound meditation on the nature of violence provides a remarkably vivid and accessible testament of the Greek epic’s continuing relevance to our mint-body.coms: 1.
Essays and criticism on Simone Weil's The Iliad - Critical Essays. Essays and criticism on Simone Weil's The Iliad - Critical Context.
Seventy-five years ago, as the Nazis were methodically implementing their conquest of Europe, the French philosopher/mystic Simone Weil published a long essay titled “The Iliad, or the Poem of Force.” In her perceptive take on Homer’s poem, she describes force as “The true hero, the true subject, the center of the Iliad.,” and defines it as “that x.
Reviewed by Sheila Murnaghan, University of Pennsylvania ([email protected]) Word count: words. This new edition of Simone Weil's famous essay on the Iliad gives it a very different status than it has in the version in which I, and probably many other readers of BMCR, first encountered it.
My old copy is a pamphlet published in .Download